{"id":1939,"date":"2025-09-22T14:29:09","date_gmt":"2025-09-22T14:29:09","guid":{"rendered":"http:\/\/www.beatlesfansunite.com\/?p=1939"},"modified":"2025-09-23T16:12:06","modified_gmt":"2025-09-23T16:12:06","slug":"cultural-narratives-and-craft-converge-in-the-2025-world-of-wearableart-competition","status":"publish","type":"post","link":"http:\/\/www.beatlesfansunite.com\/index.php\/2025\/09\/22\/cultural-narratives-and-craft-converge-in-the-2025-world-of-wearableart-competition\/","title":{"rendered":"Cultural Narratives and Craft Converge in the 2025 World of WearableArt Competition"},"content":{"rendered":"
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Wellington\u2019s extravagant World of WearableArt<\/a> is back for 2025, including pieces by 85 finalists that showcase today\u2019s most elaborate and fanciful costumes<\/a>. One hundred designers from 17 countries competed for a prize pool of more than $200,000 New Zealand dollars across 25 awards. The competition culminates in an elaborate performance, with this year\u2019s top honor, known as the WOW Supreme Award, handed to design duo Dawn Mostow and Ben Gould.<\/p>\n The U.S.-based designers have been finalists several times since 2017, and this marks their first win. Mostow and Gould\u2019s piece \u201cTsukumogami\u201d draws on Mostow\u2019s time living in Japan, nodding to the country\u2019s folklore and craft traditions through a reference to mythological tools<\/a> that can be imbued with a spirit, or a kami. <\/em>Two figures completely covered in blue-and-white latex stand like elaborate classical vases, with ikebana <\/em>flower arrangements on their heads.<\/p>\n